Mamta Music Banaras
12-06-2025 Back

Folk & Semi-Classical Music

Here are three detailed articles exploring Banaras' seasonal folk music traditions:

Additional Information

1. Chaiti & Kajri: The Monsoon Melodies of Longing

Nature's Musical Calendar
In Banaras, the changing seasons sing through two beloved folk forms:

Chaiti (Spring songs, March-April)

Kajri (Monsoon songs, July-September)

The Anatomy of Chaiti
Raga Basis: Often Pilu or Kafi with light Dadra tal

Themes:

Radha's anticipation of Krishna's return

Earth's fertility awakening

Women's secret desires

Signature Lines:
"Chait mas mein chaila bijhari, mori akhiyan taras gayi"
("In Chait month, my beloved wanders - my eyes ache with longing")

Kajri's Liquid Poetry

Performance Settings:

Women singing in courtyards as rain falls

Boatmen's songs on the swollen Ganga

Village wells as natural echo chambers

Unique Instruments:

Jhijhiya (rainstick made of bamboo and pebbles)

Ektara tuned to mimic frog choruses

Living Legends

Girija Devi's classical-Kajri fusion

Mahadev Mishra's 1950s radio broadcasts

The Bhadaini Kajri Utsav where 100 women sing together at dawn

2. Hori: The Raucous Rapture of Banaras' Holi

More Than Festival Songs
Hori represents:

Spiritual rebellion (Bhakti movement roots)

Social satire (veiled in double meanings)

Agricultural cycles (linked to spring harvest)

The Four Hori Styles

Dhamaar Hori

Temple-based, using ancient Dhamar tal

Example: "Hori khele Raghuveera" about Ram playing Holi

Ang Hori

Body-part songs with erotic wordplay

"Kahe ko bere badariya" teasing about "clouds" covering "mountains"

Phag Hori

Raw street versions with obscene lyrics

Performed with dholak and drunken abandon

Shiv Hori

Bhakti rock style at Kashi Vishwanath

Features damru rhythms and cannabis-inspired poetry

The Hori Paradox

While seemingly playful, the best Hori contains:

Hidden Vedantic philosophy

Subliminal yoga instructions

Political protest masked as nonsense verse

3. Birha & Biraha: The Blues of the Ganga Plains

Songs of Separation
Birha: Male perspective (migrant workers, soldiers)

Biraha: Female voice (abandoned lovers, widows)

Musical DNA
Scales: Microtonal shifts between Asavari and Bhairavi

Rhythm: Free-flowing Dipchandi cycles

Texture: Raw vocals + sarangi weeping + nagara drum heartbeat

Three Heartbreaking Subgenres

Ghat Birha

Boatmen's songs about river-as-lover

"Nadiya kinare mora gaon" - "My village sits by the river..."

Rail Biraha

Women singing to departing trains

Uses actual train whistle harmonics

Peepal ke Patte

"Leaves of the Bodhi Tree" lamentations

Each verse ends with a falling melodic line

Modern Resurgence

Birha 2.0 projects setting poems to electronica

Biraha opera at Bharat Kala Bhavan

Academic studies proving these songs lower cortisol levels

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